The group exhibition brings together video installations, sculptures, photographs, and photograms by Keta Gavasheli, Danae Io, Chantal Kaufmann, and Jonida Laçi.
Drawing on the relationship between the body, space, language, and the object, the artists develop cross-media practices that reveal and shift habitual modes of perception and the power dynamics embedded within them. In doing so, they explore technology as an extension of the body and perception—from cinematic camerawork to photographic imaging techniques and optical devices—and reflect on how images are produced, framed, and interpreted, both historically and in the present. In this context, the exhibition title—based on a quote by the author Quinn Latimer—highlights the role of personal recordings and media tools—cameras, monitors, and projections—as a means of translating and interpreting the built environment. The text from which the quote is taken takes the first documented photographic image, *View from the Window at Le Gras* (1826) by Nicéphore Niépce, as its starting point. Through interlocking processes, images emerge that enter narrative structures but, in places, also resist their resolution. They shift along structures of repetition and move in loops—like memory itself—in which meaning is continually reconfigured.
