It is not the picture that moves. It is our view of it that moves.
Classical painting and the digital present enter into an astonishing dialog Pictures/paintings begin to be more than what they appear to be at first glance.
Andreas Fritz and Sylvia Bleßmann open their home, where their own and classically inspired works are reminiscent of the pictorial worlds of Johannes Vermeer, Pieter Claesz and Frank Kriening.
It is not the picture that moves. It is our view of it that moves.
At first glance, they appear to be indebted to tradition. But an unexpected element breaks through time: a QR code embedded in the painting. What is initially irritating becomes a key.
By scanning these codes, the picture expands into digital space. "Moving Pictures" does not provide any ready-made answers. Rather, the exhibition sees itself as an intellectual transition: between analog art and digital experience, between historical depth and contemporary perception.
The aim is not to break with the past, but to make it readable in a new way. Visitors are invited not only to move in front of the pictures but also through them.
