Cabaret competition
2nd cabaret evening "22nd ROSTOCKER KOGGENZIEHER"
Friday, 27.02.2026 Hosted by Fiete & Schiete
SAMUEL KILIAN
"I'M GOING BOULDERING NOW" . 20:00 h
Cabaret
Topless and with an oat slat.
With piano, guitar and a lot of self-irony, Samuel Kilian not only talks about his new hobby, but also about everyday problems and creative solutions.
Be it the battering ram against obstacles on the cycle path or the chainsaw against chain smokers. The notoriously single man never misses an opportunity to emphasize his dating qualities. As a statistician with a doctorate, he is even qualified to play doctor.
With comedy, music and kitchen tips, his show is anything but predictable.
Whether pop, hip-hop or nose flute, no genre is safe from him.
After becoming famous on social media with his viral song "Ich geh jetzt bouldern", Samuel Kilian has established himself as an up-and-coming newcomer on the cabaret scene. Described by the Rhein-Neckar-Zeitung newspaper as a "more casual Bodo Wartke incarnation", the comedian delights audiences with unconventional topics and a varied program.
LENNARD ROSAR
"SCHILDMAID". 8:30 p.m.
Cabaret
Do you know, do you know? Pigeonholes? Those square things full of prejudices and clichés? Do you know them? Lennard Rosar wants to do away with them. At least in his mind.
And so he prefers to watch Shopping Queen rather than the Bundesliga, passionately irons his laundry to heavy metal and wonders whether his view of people isn't itself full of prejudices. But how can you go through the world without prejudice? When everything is increasingly divided into ones and zeros? System whores vs. corona deniers, climate change campaigners vs. car lobby, left vs. right. Can we really do without the countless pigeonholes in our heads? Huh!
"The 31-year-old, heavily tattooed man with the full beard and the many rings on his well manicured fingers doesn't fit into any profession. With satirical tales from everyday life and poetic short stories, the Cologne native playfully and extremely humorously points out today's social problems and also provides food for thought for change." This is how the arts pages could write about him.
In his first program "Schildmaid", Lennard not only rethinks various clichés, he also poses simple questions to his own consumer self and develops solutions for all the many sensitivities of Ulla and Otto Normalverbraucher.
Lots of questions, a large pile of absurd ideas and, in between, a combative Huh!
KRAUSE AND CONSORTS
"FINALLY TIME". 21:20
Musical-satirical stage program
"Endlich Zeit" is a musical-satirical stage program about the completely
normal madness of everyday life. Krause and his cohorts dissect with biting
humor and musical sophistication the symptoms of an over-excited present:
Oh, how engaged we could be - if Netflix weren't constantly suggesting new series
were not constantly suggesting new series?
What are global conflicts and right-wing movements compared to the horror of a mind-numbing game night?
And why doesn't anyone talk about the consequences of social media consumption for the body and neck?
With their idiosyncratic mixture of jazz-pop, chanson and musical cabaret
Felix Krause (vocals), Christoph Gaertner (guitar, piano, vocals) and Max Wiegand (bass
Max Wiegand (bass, vocals) combine musical experimentation with subtle social
social criticism.
Their lyrics are funny, but never harmless - they expose routines and question role models.
In the tradition of German musical cabaret, enhanced by theatrical and pop music elements, they create a stage cosmos between absurdity and analysis.
